The exhibition War Requiem & Aftermath, held in the Inigo Rooms from March-May 2015, was a survey of new and recent work by British artist Maggi Hambling, encompassing painting, sculpture, installation and film.
The starting point of the exhibition was Hambling’s site-specific installation War Requiem , shown at ‘SNAP’ (Art at the Aldeburgh Festival) in the summer of 2013 to wide critical acclaim. Hambling has created a successor to the first installation, War Requiem 2, in which anonymous portraits of war victims and ravaged battlefields emerge as spectral visions out of charged and turbulent paintwork. Pervading the new canvases is Indian yellow pigment that simultaneously evokes fanfare and fire. The paintings are juxtaposed with an extract from Benjamin Britten’s War Requiem of 1962.
Also exhibited was a condensed selection of earlier works dating from the early 1980s, when Hambling came to prominence as the National Gallery’s first Artist in Residence. These paintings and sculptures reflect the eclectic manifestations of war and death in her art, whilst also revealing other underlying leitmotifs such as remembrance and loss. The painting Gulf women prepare for war bears witness to a specific historical event, yet also comes to stand for the international conflicts that have ensued in subsequent years and continue to rage into the present.
The installation You Are the Sea (2012) features a single canvas from the Wall of Water series and a sound piece arising from Hambling’s 2009 poem of the same title. The work has its origins in the artist’s experience of the sounds of trapped sea water, surging and cascading in a vibrant allegory of life and death, creation and annihilation.
The culmination of the exhibition was Hambling’s new series of sculptures, collectively entitled Aftermath. These totemic objects in painted bronze began as found pieces of dead wood. Out of gnarled natural forms, Hambling has coaxed the presence of imaginary beings. Alternately animal and human, familiar and other worldly, the sculptures emanate a variety of moods and art historical resonance from Surrealism to medieval polychromy. The strange creatures of Aftermath conflate the forms of grave portraits, gargoyles and relics to create vital contemporary works of sculpture.
May 31, 2015
